All of the characters who have barely shared actual screen time are loosely tied together in a movie that’s ultimately incredibly thin on plot in the end. Nico races through Los Angeles to get an immunity bracelet like his to save her. Of course, Sara’s poor abuelita gets the disease and it looks like she’s going to be shuttled off to the Q-Zone never to be seen again. At least he seems to be having a good time. So is the slimy Emmett Harland, the enforcer when people get sick, played with B-movie relish by Peter Stormare. William is married to Piper ( Demi Moore) and is the father of Emma ( Lia McHugh), he’s clearly found a way to profit while the world has fallen apart. Yes, social encounters involve a face shield and mask at first, but not for long. It’s how a musician named May ( Alexandra Daddario) communicates with her fans, including a recluse named Dozer ( Paul Walter Hauser) and a power player named William ( Bradley Whitford), who happens to be sleeping with May. Nico has a girlfriend named Sara ( Sofia Carson), who lives with her grandmother (Elpidia Carrilo), but the star-crossed lovers only really get to communicate through FaceTime and closed doors. He wears a bracelet that affirms his immunity status and allows him safe passage, typically under the GPS-guided instruction of his boss Lester ( Craig Robinson). Apa) are essential in this dystopia because they can get through the now-divided city of Los Angeles, especially because the young man happens to be one of the rare people immune to the disease. There’s martial law in Los Angeles and something called Q-Zones, where sick people are basically taken to die, cut off from supplies. “Songbird” sets its troll tone early with a segment that includes the line “Remember the good old days of fake news?” (Let me speak for everyone when I say, “NO.”) You thought 2020 was bad, you ain’t seen nothing yet! In just four years, the virus has mutated to the COVID-23, which has completely reshaped existence. Everyone here, including Mason and co-writer Simon Boyes exudes that feeling that their premise is so clever and so unexpected that that's all that needed to be done. If you're going to make a movie this exploitative and gross, you really have to make it better to disguise the smell of it all. But the rest of the music, on the whole, is catchy and involving.The truth is that even if one sets aside all potential moral arguments about the very existence of "Songbird," it's still just really bad. There’s been grumbling in some quarters about one of the songs, which is a reworking of the Pakistani megahit Pasoori here, the original’s melancholy beauty is ditched for a blander, more upbeat sound. This is a film bursting with colour and movement, with talky, dramatic sections ceding to epic dance sequences involving hundreds of impeccably turned-out performers. Sattu’s chances with her soon rise, however, when he gallantly saves her life and is promised her hand in marriage by her sinister father, for reasons that are slowly teased out. When he goes to a dance and sees the resplendent Katha (Kiara Advani) performing, he resolves to win her heart – only to discover that she has a flash boyfriend. Set in Gujarat and directed by Sameer Vidwans, Kartik Aaryan plays Sattu, an unemployed loafer who spends his time moaning about his enduring virginity and doing the housework (badly) for his despairing parents. There are strains of Richard Curtis and even Shakespeare in this charmingly cheesy Bollywood film about a thirtysomething manchild who falls for a woman way out of his league.
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